resume the iris paintings help
sunflowers and which have been made
by lesage these remarkable pieces because
that we each needed around
700 hours of embroidery with a
technique which is fairly age-specific
that uses enough materials
common for sequin embroiderers
parts of rock garden but which in addition
included as you see ribbons
and with the effects of matt bryant which
which gives the effect of brushstrokes
that really looks like paint
there is another exceptional jacket which
is part of the tribute collection and
which is a pity of saint laurent to the
fashion house and he asked
lesage as one would have asked for a dress
time color to think about a
embroidery which
manage to translate the light which
passes through the chandelier of the great
yves saint fashion salons salons
laurent gifted visionary stylist
found at the head of the house dior at
only 21 years old
four years later he's only 25
when he created in 1961 with pierre bergé
his own fashion house
very quickly he overturns the codes of
fashion and those of society
he empowered women in
across from a wardrobe which is a
male wardrobe defector
then you have the pantsuit
of course the tuxedo of course but
also the Saharan the jam suite the
pea coat
he took almost all the elements
from the men's locker room and he gave
women the power to wear them he has
put the pants in
offices finally
when in the 70s the wealthy
high-rise homes
couture for luxury ready-to-wear
crafts and the transmission of
their know-how are then in danger
until saint laurent island in
1976 revives the luxury industries by
general ie all trades
of art and haute couture in particular
with a collection called opera
opulent Russian ballet
extraordinary that employ fabrics
brocade of gold silk fabrics
again in profusion of the furs of
embroidery and suddenly reviving it
interest in this profession
shows that she can be cutting edge
that it shows that she can be at the
point
of desire and that it can revive the
desire of women
therefore yves saint-laurent surrounds himself
of the greatest artisans of Parisian art
and before leaving the world of high
couture in 2002 created with them pieces
extraordinary
this is the lyon coat which is a
winter coat 90 feathers
vulture feather pheasant
Yves Saint Laurent's request addressed
to the groom was I would like a coat
of feathers that looks like a lion
3000 more dyed and cozy one by one at a time
hand on a very light organ one piece
exceptional is exceptional because
what she is she is spectacular and that
shows that we love a lot which is very
very fragile therefore not very exposed
beasts love epim
so this is something we watch
especially we have in our reserves
the feathers are in one place
particular that we monitor up to
other things
this coat was made by the house
the largest featherweight wedding
world
essential for haute couture
since the 19th century the house has
backstage
so here we are going to enter the reserve of
more than you want to enter then
there you see all the feathers are
listed all arranged in
identified boxes and there for example we
put all the feathers aside
we come from stamps and that we
let's use for the model of the
haute couture
a chanel tailor of the new
fall winter collection that home
the bride is making a year
they are in a bag of shades of
colors which are represented see
they are therefore
you all have all the colors
used in the on the model then in
more or less quantity depending on the
dosage that we want to give and there in
made they are natural so in fact
it's more ill-gotten that have been
extinct and use these two laws
the fin finger an elegant feather and
flexible which is on the sides of
the animal
c or more who held up well who is
which lent itself well to this flower we
was not going to use the ostrich
see to make a flat feather
like that the ostrich feathers the house
rather destines them to one of the rooms
emblematic of the next collection
haute couture chanel wedding dress
work on a large pass where we come from
actually mix brown ostrich
burnt ostrich and rooster whips
break the whole brown and this is the
brown which has been worked in fact I we
also show the powder easter whisk
and therefore in the same tones and that was
very airy and very attractive
strewn in the strands of ostrich goes
give a little extra in the
fashion


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