when he created in 1961 with pierre bergé

 and those of society

 he empowered women in

 across from a wardrobe which is a

 male wardrobe defector

 then you have the pantsuit

 of course the tuxedo of course but

 also the Saharan the jam suite the

 pea coat

 he took almost all the elements

 from the men's locker room and he gave

 women the power to wear them he has

 put the pants in

 offices finally

 when in the 70s the wealthy

 high-rise homes

 couture for luxury ready-to-wear

 crafts and the transmission of

 their know-how are then in danger

 until saint laurent island in

 1976 revives the luxury industries by

 general ie all trades

 of art and haute couture in particular

 with a collection called opera

 opulent Russian ballet

 extraordinary that employ fabrics

 brocade of gold silk fabrics

 again in profusion of the furs of

 embroidery and suddenly reviving it

 interest in this profession

 shows that she can be cutting edge

 that it shows that she can be at the

 point

 of desire and that it can revive the

 desire of women

 therefore yves saint-laurent surrounds himself

 of the greatest artisans of Parisian art

 and before leaving the world of high

 couture in 2002 created with them pieces

 extraordinary

 this is the lyon coat which is a

 winter coat 90 feathers

 vulture feather pheasant

 Yves Saint Laurent's request addressed

 to the groom was I would like a coat

 of feathers that looks like a lion

 3000 more dyed and cozy one by one at a time

 hand on a very light organ one piece

 exceptional is exceptional because

 what she is she is spectacular and that

 shows that we love a lot which is very

 very fragile therefore not very exposed

 beasts love epim

 so this is something we watch

 especially we have in our reserves

 the feathers are in one place

 particular that we monitor up to

 other things

 this coat was made by the house

 the largest featherweight wedding

 world

 essential for haute couture

 since the 19th century the house has

 backstage

 so here we are going to enter the reserve of

 more than you want to enter then

 there you see all the feathers are

 listed all arranged in

 identified boxes and there for example we

 put all the feathers aside

 we come from stamps and that we

 let's use for the model of the

 haute couture

 a chanel tailor of the new

 fall winter collection that home

 the bride is making a year

 they are in a bag of shades of

 colors which are represented see

 they are therefore

 you all have all the colors

 used in the on the model then in

 more or less quantity depending on the

 dosage that we want to give and there in

 made they are natural so in fact

 it's more ill-gotten that have been

 extinct and use these two laws

 the fin finger an elegant feather and

 flexible which is on the sides of

 the animal

 c or more who held up well who is

 which lent itself well to this flower we

 was not going to use the ostrich

 see to make a flat feather

 like that the ostrich feathers the house

 rather destines them to one of the rooms

 emblematic of the next collection

 haute couture chanel wedding dress

 work on a large pass where we come from

 actually mix brown ostrich

 burnt ostrich and rooster whips

 break the whole brown and this is the

 brown which has been worked in fact I we

 also show the powder easter whisk

 and therefore in the same tones and that was

 very airy and very attractive

 strewn in the strands of ostrich goes

 give a little extra in the

 model here of course we have

 the more we regret that we cannot

 use the greeks

 the bird of paradise which are feathers

 all simply magnificent

 the great we can't find it anymore that's

 a very precious stock that we have

 because it is a completely animal

 protected we can't buy it we don't

 can't sell but good when you

 have you see this simply beautiful

 we also have the birds of paradise

 concerns in a very very old

 box but when you see the gradient

 of colors and the lightness of its feathers

 with brown cbs this yellow so much

 delicate is very pale i don't think

 even with the best dyers we

 could come up with this subtlety of

 your it's part of the heritage of the

 homemade and we keep them

 and we take great care of her a

 valuable stock acquired before measurements

 taken to save these birds

 upstairs in the workshops

 the feather work for all

 haute couture houses claiming

 their unique know-how

 that day it activates around a

 tail